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At first glance, the Gibson ES-339 looks like its "big brother", the ES-335. On reflection, however, you realize it shares its body with other best-selling size Gibson model, the Les Paul. So, what did you do with an ES-339 ES-335 has the look and sound with the feel of a Les Paul. Sounds great in theory, right? Let's look at the data one little more carefully.
The ES-339 body and top feature a maple / poplar / maple laminate, while the neck is made of mahogany with a rosewood fingerboard and 22 frets. The bridge is tune-o-matic and stop tailpiece variety, and the guitar is also fitted with Kluson tuners, and '57 Classic Humbuckers in both bridge and neck and chrome hardware. Some ES-339 special features include "Memphis Tone" electronics and a 30/60 neck profile.
The operation value of the "Memphis Tone" electronics clear. First, if the volume, the guitar highs stay seamlessly across the taper. Normally you lose high end when you decrease the volume a guitar, so this is a welcome add-on. The volume is logarithmic, so the volume reduction is quite smooth and even, similar to the actual numbers of volume control!
The neck is a "30/60", because it has a 60's style neck, but with a extra.030 "back to front. The neck profile that helps keep the basic Gibson semi-hollow body tone while the playability. Really nice. If we the ES-339 through its paces, which is really the thing that got us to the playability. Both chords and lead work were exceptional. It was a nice change to get ES-335 tones of a Les Paul sized instrument.
As the sounds, we were pleased with the various diversity available. Although it will appeal especially blues and jazz guitarists, This is a tool that conceivable action from a wide range of guitar styles. To be sure, though some large semi-Hollow Body show here!
Feedback is useful and easy to check when we cranked it up. We clearly could not get a bad sound from the ES-339. From rock and blues to jazz and country, this is one of the most complete and good playing guitars we criticized in a while. We particularly liked the "Memphis Tone" feature. Call it what you want, it is not a sales trick. We have really enjoyed different settings for the volume and tone control settings.
It was refreshing not to feel compelled at the same swap the pickups. The Classic Humbuckers certainly did The trick, like the 30/60 neck, which meant that certain chords easily and fast running. We can not think of anything to improve on this guitar. The fit and finish were flawless from the factory, and is a testimony to the quality of the Gibson Custom Shop. We highly recommend this tool.
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